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Cast:
Michael
Hui
Samuel
Hui
Ricky
Hui
Catherine
Hung
Lau
Siu Ming
Louise
Lee
Teresa
Mo
Lee
Hoi San
Paul
Chun Pui
Action:
Liu
Hok Ming
Producer:
Michael
Hui
Director:
Philip
Chan
Score:
    
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FRONT
PAGE
AKA:
Frontpage
Year:
1990 Reviewer: Andrew
Saroch
After
my quest for the fabled 'Chicken
And Duck Talk' ended a few years ago, my next target in my
desire to see the very best of the legendary Michael Hui was
'Front Page'. Proving just as elusive as the former, 'Front
Page' was a film whose trailer I had seen years ago and had
only whetted my appetite. Now, thanks to a contact who I am
indebted to, I have finally had the chance to watch it.

The
sales of Hong Kong gossip magazine 'Truth' continue to go from
bad to worse. When the creditors begin to encircle the office,
chief editor and owner Lit (Michael Hui) sees a major scoop as
his only plausible way of keep the magazine open. Lit is
fortunate to meet ambitious wannabe reporter Bill (Samuel Hui)
who, after saving the editor from a beating by thugs who were
angered by an article, is hired as a new face for the team.
Bill's first impetus of ideas is to dig up the real dirt on
some of Hong Kong's superstars; to this end, Lit, Bill and
another photographer (Ricky Hui) set up all kinds of underhand
tricks to get their story. However, when they try to invent a
story on a popular local actress, the trio find their
consciences pricked and they face a difficult decision.

There
can be nothing quite as exhilarating as being able to enjoy a
Hui brothers comedy for the first time. Unlike 'Chicken And
Duck Talk' - which had always been seen as the reconciliation
between Michael and Samuel - this is a genuine triple act film
that sees the brothers return to their cinematic roots. In
what is essentially a re-working of the seminal 'The
Private Eyes', Michael, Samuel and Ricky are on top form,
dispelling the worrying fears that the magic had died since 'Security
Unlimited'. Though nearly a decade had passed since their
last real collaboration, 'Front Page' displays all the
confidence and slickness of three actors who have an almost
telepathic understanding. Their characters are the same
(Michael is the bullying tyrant; Samuel is the laid-back
opposition to his older brother's dominance; and Ricky is the
harassed employee) but their interplay has the sheer
transcendence that viewers could compare to the Jackie Chan/Sammo
Hung/Yuen Biao teamings. While I feared that the film may have
slipped into a lazy rehash of their former glory, it
thankfully bustles with energy and exquisite wit; Michael Hui
uses moments of slapstick, social conscience and satire in
conjunction with his flawless timing. Naturally his brothers
provide unmatchable support for him, while a few familiar
faces in the supporting cast round things off nicely.

If
there were to be one criticism of the film it would perhaps be
that certain moments are in somewhat bad taste. There are
unnecessary caricatures that tend to undermine the hilarity of
Hui's otherwise superb set-pieces. Nonetheless, the point to
the whole film - and something that is indicative of Michael's
best work - is that the comedy has a moral message and each of
the characters are forced to learn something about themselves.
'Front Page' is therefore a more sophisticated comedy than it
may appear - Hui's aspirations to create a morality tale make
sure of this. Credit must also go to Philip Chan who lets the
Hui brothers take centre stage, never trying to constrict
their chemistry in the way that Clifton Ko did in 'Chicken And
Duck Talk'. It is with no hesitation that I give 'Front Page'
four stars - my only hope is that I will not have to wait so
long to watch 'Mr. Coconut', another Hui rarity.
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