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Sympathy For Lady Vengeance

 

Starring :

Lee Young-Ae

Choi Min-Sik

Go Su-Hee

Kim Byeong-Ok

 

Writer :

Park Chan-Wook

Jeong Seo-Gyeong

 

Producer :

Cho Young-Wuk

Lee Chun-Yeong

 

Director :

Park Chan-Wook

 

 

 

SYMPATHY FOR LADY VENGEANCE  (2005)

A.K.A. - Lady Vengeance ; Chinjeolhan Geum-jassi

Reviewed by Rob Daniel


Come in Tarantino, your time is up.  'Sympathy for Lady Vengeance' surpasses both 'Kill Bill' movies and is a powerful conclusion to Park Chan-Wook's Vengeance Trilogy.

Released from prison after thirteen years for a shocking child murder, Geum-Ja (Lee) plots revenge on the man who put her there.  That this man is Choi Min-Sik, Oldboy himself, should be proof that 'Sympathy for Lady Vengeance' (released in the UK as 'Lady Vengeance') matches the first two instalments blow for blow.

Together with the female inmates Geum-Ja helped and manipulated in prison, her plan of revenge begins to take shape when she is released.  Matters complicate when Geum-Ja's daughter, living with adopted Australian parents, insists on returning to Korea.  And Choi Min-Sik's abominable Mr Baek harbours a secret far greater than being responsible for the botched kidnapping Geum-Ja did time for.

The restrained visual style of 'JSA' and 'Sympathy for Mr Vengeance' has now been replaced with the directorial pyrotechnics of 'Oldboy'; digital effects, a rich white and red colour scheme and the most fluid camerawork since David Fincher's, this is a feast for the eyes.  However, there is more than CGI-candy: 'Sympathy for Lady Vengeance' is loaded with religious imagery, but Geum-Ja's dark wardrobe and a subtle use of hellish crimsons suggests she is not solely on the side of the angels.

Park's storytelling audacity outdoes his other Vengeance movies: using an intricate flashback structure the first hour recalls Geum-Ja's prison time and the formation of her plan, which isn't revealed until near the halfway point, and then only to a minor character.  The playful, kinetic style of the first hour alters midway to a far darker, more upsetting second hour when Geum-Ja carries out her plan to kidnap Mr Baek and discovers the situation is more extreme than she imagined.

Park risks losing his audience with this abrupt shift, but those willing to stay the course can expect a thrilling, rocky journey.  Although containing less onscreen violence than 'Sympathy For Mr. Vengeance' or 'Oldboy', here it is far ghastlier.  Accusations of bad taste will be fired from some quarters, but Park is not afraid to morally assault his audience.

Lee's hungry performance as Geum-Ja is far removed from the nice-girl roles that made her famous in Korea, but as the beautiful avenging angel (and devil) she gives a career best.  Choi Min-Sik belies his sympathetic performance in 'Oldboy' or 'Crying Fist' with a portrayal of pure evil.

Providing meat for the mind as well as fireworks for the senses 'Sympathy for Lady Vengeance' is one of the best films of 2006.  Park's next film, the tentatively titled I'm a Cyborg, But That's Okay will prove whether he can serve warm dishes as well as cold. 

 

Rating: 

 

 

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Region:  3

Distributor:  CJ Entertainment

Chapters:  

Picture:  Anamorphic 2:35:1 transfer.  A perfect transfer with deep colours and crystal image.

Sound:  An expansive 5.1 Dolby Digital or Dolby DTS mix, with a great surround mix.

Trailers:  Korean and a fine English translation.

Extras:  This two disc special edition includes the Fade to Black version that slowly drains the colour out of the film.  Reportedly Park wanted to use this version in the cinemas, but couldn’t make the deadline.  While thematically the loss of colour wryly comments on a film where nothing is black and white, the effect interrupts the flow of the film.  However, as a bonus version it is a worthwhile addition.

The disc also includes featurettes, TV spots and trailers, plus an extensive poster gallery.  Until Tartan’s inevitably essential DVD release, this is the version to have.

 

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